Friday, 3 May 2013

Wednesday, 24 April 2013

Evaluation 2

Evaluation 1

Evaluation 1 
In what ways does your media product use develop or challenge forms and conventions of real life media products?
When we created our trailer we initially set out to a conventional horror trailer in every sense of the word. We looked at previous horror films/ trailers such as the blare which project, scream house of wax and a few others. We looked at these films trailers and tried to understand what was traditionally in a horror trailer and what codes and conventions we had to follow. One big convention we tried to follow was starting the trailer off at a slower pace and gradually increasing the pace until the big finale or “Killer Shot”. For example the shot showing the “others” at the end of the house of wax trailer when developing the trailer always tried to keep this in mind. While in practise we didn’t get this exactly right we tried to follow the premise of this convention of horror trailer. Another convention we were interested in from the get go was the concept of a clear “Final Girl” in the trailer for house of wax(2005). We decided to challenge this conventions in ways while there hints of a final girl in the trailer there is no clear one so therefore challenging this convention
 Another convention we were aware of was the idea that the “monster” or antagonist is heard and saw throughout the trailer but no showing the full image of him/her/it until the very final moments of the trailer.
We also tried to use horror conventions that have been used for almost a decade. An example of this would be using certain shots for example, close ups to be able to see the characters facial expressions which shows their emotion and provokes an emotional response in the audience. An example of this would be the famous physco in the shower seen where normal bates attacks the protagonist in the shower. Another example of a traditional horror shot we used was the P.O.V shot which is very common in modern day horror films such as paranormal activity.
One convention we felt was vital to follow was length of the trailer as we felt that if it is to short then it would be hard to get people interested in it and if it was too long people would become bored and not interested on our trailer. We looked other horror trailers and found at that the average time for a horror trailer is between the 1:10 to 1:50 so made sure that our trailer followed this convention and it was in between those two times in terms of length.
Overall I feel we didn’t try to challenge the codes and conventions in many respects and tried to stick the a the codes and conventions of a traditional horror film the best we could. I felt that we achieved just that as most of the codes and conventions we decided use is shown our trailer in one way or another.





  

Evaluation 3

Evaluation 4

Tuesday, 26 March 2013

Horror Character History - Dracula


 Like many Horror Characters Dracula started off in a novel.  The idea of Dracula was conceived by y a novelist names Bram Stoker in 1897. Dracula himself was said to be inspired by a prince named “Vlad the impaler”.

 Over 30 years later Dracula made his debut on the big screen in “Dracula” 1931. However before those 10 years ago Bram Stoker’s film had already been made in film without his permission as “Nosferatu” which suggests that Nosferatu is based on the Dracula character.  Dracula however had a lot of different characteristics than Nosferatu. For example like a lot of horror characters Nosferatu is depicted as a grotesque monster who looks out of the ordinary along the lines of future horror characters  such as Frankenstein. Dracula appeared as a sophisticated and didn’t look to out of the ordinary. This is in great contrast to other Nosferatu and other horror characters which are traditionally monsters. Back in 1931 the film was considered horrific as newspapers reported that people were fainting in cinema’s watching it. The supernatural wasn’t something that was used in many films back then so it was considered a big risk, but fortunately it paid off with huge box office success.

Synopsis Dracula 1931

After a harrowing ride through the Carpathian mountains in eastern Europe, Renfield enters castle Dracula to finalize the transferral of Carfax Abbey in London to Count Dracula, who is in actuality a vampire. Renfield is drugged by the eerily hypnotic count, and turned into one of his thralls, protecting him during his sea voyage to London. After sucking the blood and turning the young Lucy Weston into a vampire, Dracula turns his attention to her friend Mina Seward, daughter of Dr. Seward who then calls in a specialist, Dr. Van Helsing, to diagnose the sudden deterioration of Mina's health. Van Helsing, realizing that Dracula is indeed a vampire, tries to prepare Mina's fiance, John Harker, and Dr. Seward for what is to come and the measures that will have to be taken to prevent Mina from becoming one of the undead (Source IMDB))

27 Years later a new Dracula film was released by hammer studios and was the first time Dracula appeared in colour on the big screen, this was done with Technicolor. Like the previous Dracula film it was considered a huge success and cemented Dracula firmly as a huge pop culture icon.

In 1979 the 3rd rendition of “Dracula” appeared on the big screen produced by Marvin Mirisch and Walter Mirisch. Despite getting good reviews this is the first Dracula film not to take the box office by storm as it only preformed ok at the box office.

In 1981 the Comedy horror “Monster squad” was released and was the first that Dracula appeared in that was not one of his main films. Monster squad features a bunch of universal horror characters lead by Dracula. This showed the first big evolution of his character from an ominous dark character to a more comedic character

Synopsis Monster Squad 1981

 Dracula is alive. In fact, he plans to rule the world and that is why he seeks the help of other legendary monsters. However, a bunch of kids regarded by their peers as losers uncover the devious plan and prepare for a counter strike. Source (IMDB)





The first Entry to Dracula in the 21st century was offered by “Dracula 2000” Which shows a more modern Dracula. it shows dracula in a modern setting so the current generation of movie goers would be able to realte to it more as it seems more fammiliar .However the film received a lot of bad reviews and failed to make back the money it cost to make it.

Monday, 25 February 2013

Filming schedule



Week
Week 1
Week 2
Week 3
Week 4
Week 5
Week 6
Week 7
Monday
 
 
 
 
 
 
 
Tuesday
 
 
 
 
 
 
 
Wednesday
 
 
 
 
 
 
 
Thursday
 
 
 
 
 
 
 
Friday
 
 
 
 
 
 
 


Light Green = Planning days

Red= Recce/location planning days

Yellow= Filming days

Blank = other media work

Light blue = Editing days

Dark blue = Not at college

Horror Audience

Audience Qeustionaire analysis



Questionnaire results
Male or female?
Male 8.3                                       

Female 91.7
This was put out on on to the internet where anyone can awnser it so it was suprising to see a large majority of female's awnseer as typically the audience for a horror  film

 

How often do you watch  see horror films?

All the time (1-3 Weeks) 20.8%

Often 20.8%

Not much 37.5%

Rarely 20.8%
 
This shows that their is a mixed bag when it comes to fans of the genre
Duration

50S – 1 minute 12.5

1 minute – 1 minute 30 45.8%

1 minute 30 – 2minutes 37.5%

2 minutes 4.2%
The Majority of the people went with 1 minute -1 minute 30 which was what we ended up aiming for.

Are teddy’s/puppets scary

Terrified 20.8

A little bit 45.8

Not really 29.2

No 4.2
This qeustion refers to are trailer which includes a teddy as a prob of the antoagonist. their is no defiente awnser among the people who awnsered weather teddy's are scary or not

Favourite Horror shot

Hand held 29.2%

Fixed 33.3%

Point of view 37.5%
Other 0%

 

Preferred victim in a horror film (Victims die's hero fights and survives)

Female victim male hero 12.5

Female antagonist male hero 20.8

Male victim   female hero 4.2

Male victim male hero 0%

All victims no hero  62.5%

 The awnser of this qeustion is surprsing because taditoanly the victim in a horror film was female and usualy the antagonist was male but the this suggests that people want their to be no hero at all and have evreyone as a victim. this goes agasint the traditonal codes and conventions of a horror film.
Favriote horror genre
Slasher  12.5%
Phycological  52.05%
Comedy          4.2%
Scifi               0%
Abnormal (Ghosts ect) 15.6%
Other 15.6%
 
Our trailer is a mix of a slaher and a phycological film so these results shows their is market for out type of horror movie
 

 

 

 

 

 


Horror film History



Horror film history
Silent era
Horror in film started with silent film made by European films such as “The Golem”. Most of these early films were made using what is called “German expressionism”. German expressionism was an artistic movement that started in Germany in the 1910’s and was a direct result of the horrors of the First World War. This type of expressionism was isolated in Germany because of the German government banning imported films in 1916. This lead to over 5 times as many film being made in 1918 compared to 1914.International audience started to appreciate German film by the time of the 1920’s due to hostility towards the Germans fading. When the international import ban was lifted Germany was part of the international film market.
A great an example of a film that uses German expressionism is the “Cabinet of Dr Cagliari” (1919). 



1930’s
In 1930’s the factor of Sound came into movies changing a lot of the narrative and technical features of the film. Sound added an extra dimension to terror, whether it is music used to build suspense or signal the presence of a threat. With the induction of sound horror films moved away from the horror characters of the 1920’s and the monsters such as Frankenstein came into play. 1930’s was also a decade of mad scientists representing the dangers in the development of science.
1940’S
In the 1940’s during the war horror exports were banned in Britain and were only aloud in America. A lot of the horror films in America had a wolf-like antagonist as Hitler at the time identified himself with iconography of the legend of the wolf. Also in this time universal studio’s created a separate unit for horror films universal was slipping from relevance as they were in decline.
1950’s
In the 1950’s ww2 had ended and communism was on the rise in the east. Communist greatly affected American cinema as America feared communism this was the undertone for films such as The BLOB and Invasion of the body snatches. Another event that happened in the 50’s was the Roswell incident where there is speculation that a “flying saucer” landed their which inspired many sci-fi related horror films. Also in the 50’s was the rise of television which pushed horror movies to b movie status as people worked on meeting the challenge met by TV.
1960’S
In the 1960’s the way people lived was revolutionised as conservative ideology lost its power because the post war era had passed. With this ideology diminished what previously was a perceived as scary by the public had been completely changed.  In the 1960’s Alfred Hitchcock released a horror/thriller by the name of Psycho which was odd for this time as horror films were usually b movies at this time which would be similar to movies that come in the future.
1970’s
In the 1970’s society took another hit as things started to go downhill for the decade which greatly influence horror at this time and arguably improved it. The seventies were about deep-seated paranoia, and the fear that the moral shift of the 1960s had created a culture of monsters. Therefore a lot of the films were about kids such as The OMEN or the exorcist. Another Genre they rose uo in the 70’s (and 80’s) was the slasher movie which often involved a murderer hunting down a group of people and murdering them in gruesome ways. Usually it was women who died the most as the slasher film is the a indirect response the rise of feminism.


1980’S
Horror movies of the 1980s exist at the glorious watershed when special visual effects finally caught up with the gory imaginings of horror fans and movie makers. Technical advances in the field of animatronics, and liquid and foam latex meant that the human frame could be transformed as they wish. Also in the 1980’s we had horror films that ere dubbed “Video nastiest” which were horror films that went straight to video and were often very gruesome as for a time they were not regulated by a rating committee. An example of a video nasty would be the Evil Dead series. A
1990’s
It can be argued that the so-called psychological thriller took precedence over horror in the first half of the 1990s, and indeed, many dark, disturbing films of this period describe themselves as thriller, not horror with such films like Slaughter of the lambs which could be argued as a thriller but borrows many horror elements. It also highlights the rise of serial killers in films. Also in 1996 we had the introduction of postmodernism in horror films. We also had parody’s of older horror films such as Scream.

Friday, 11 January 2013

Props/Chacter list


Props list

1.      .10-20 Teddy bears

2.      .Rope

3.      .Blanket

4.      .Tent

5.      .Documents

6.      .Alcohol bottles/cigarettes

7.      .Food

Costumes

1.      Killer –Black Jacket/rags

2.      Clyde-(Normal) – Everyday clothing

3.      Kyle(panic) –Everyday clothes

4.      Vicky-(Normal)-Everyday clothing

5.      Ruby (crier)-Everyday clothing

6.      Bianca(loud)-Everyday clothing

7.      Candice(slut)-Everyday clothing

 

Character Types- Clyde- Average teenager – follows social convention

-quiet in the group

Kyle- teases everybody about the killer- scared the most   when action starts happening

Vicky- Average teenager –doesn’t drink/or smoke (final girl qualities)

Ruby –Follows social conventions of a teenager. When action happens she can’t

Stop crying (Wuss)

Candice- the slut of the group –loud/drinks/smokes- will be the first to get killed

Killer-Mental/Loves teddies –seeks revenge on people who enter “his” forest.