Film Analysis LET THE RIGHT ONE IN
Synopsis: Oskar, a bullied 12-year
old, dreams of revenge. He falls in love with Eli, a peculiar girl. She can't
stand the sun or food and to come into a room she needs to be invited. Eli
gives Oskar the strength to hit back but when he realizes that Eli needs to drink
other people's blood to live he's faced with a choice. How much can love
forgive? Set in the Stockholm suburb of Blackeberg in 1982 (Source IMDB)
Notable characters in relation to props theory:
“The villain” – LET THE RIGHT ONE IN differs
from a lot of horror films in relation to the characters. The only noticeable villains
in this film are the bully’s that provoke the antagonist. By the end of the
film it can be argued that they are actually the victims as they get killed by Eli
who could be argued to be a protagonist.
“The hero”: There are two characters you
could argue to be heroes in the film and they are “Oscar” and “Eli”. Oscar is a
kid that befriends a vampire (Eli) and end up loving her. The film is mostly
set out through his actions. The other character you could argue to be a hero
is “Eli” who is a vampire who befriends Oscar and protects him from the villains
(The bullies). It goes against the codes and conventions of a horror film as usually
a vampire would be seen as the abnormal villain. While having all the traits of
a vampire (Can’t go in the sun, Drinks blood to survive, can’t go in a house
unless invited) yet in the film we as the audience still get behind the
character as a hero.
These are the only noticeable characters
that fit a certain archetype as there is no
donor/helper/princess/father/dispatcher. This suggests that the film tires to challenge
those conventions and that his film does not prove his theory.
Narrative structure in relation to Todorov’s theory
At the start of the film the not a noticeable
equilibrium as the hero, Oscar is pretending to stab one of the villains with a
knife. This shows that he is not happy and that there is no equilibrium in his
life or in the film. Despite this everything is still calm at the start of the
film so it could be argued that there is in fact equilibrium at the start of
the film. Later on the film there are 3 potential signifiers. The first is when
Eli first moves next to Oscar with her protector which sets the story for the
rest of the film. Another signifier that could be argued is when Oscar first
meets Eli as these are the 2 main characters. The third signifier would be when
Eli’s protector kills a man in the woods for her blood. This is the first scene
of violence in the film and opens up the suggestion that Eli is a vampire.
Throughout the film Eli and Oscar get to know each other and by the end of the
film after a lot of killings Eli murders the bullies and Oscar and Eli leave on
a train together. There is equilibrium for Oscar and Eli at the end of the film
they are at peace despite all they have done/witnessed which shows how
manipulative Eli is and how disturbed Oscar has become. Despite this they still
have equilibrium t the end of the film.
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